还斋(zhai)炳烛,见琴横案上,请(qing)一聆其(qi)雅(ya)操。晏(yan)乃抚弦捻柱。十娘自(zi)内出(chu),晏(yan)曰:来(lai),来(lai)!卿为(wei)若侄(zhi)鼓之。十娘(niang)即坐,问侄:愿何闻?阳(yang)曰:侄素不读《琴操》,实无所愿。十娘曰:但随(sui)意命(ming)题,皆可成调。阳笑(xiao)曰:海风引舟,亦可作(zuo)一(yi)调否?十娘曰:可(ke)。即按(an)弦挑动,若有(you)旧(jiu)谱,意(yi)调蹦腾;静会之,如身(shen)仍在舟中(zhong),为飓风之所摆簸。阳惊叹欲(yu)绝,问:可(ke)学否(fou)?十娘(niang)授琴,试使勾拨,曰:可(ke)教也。欲何学?曰:适所奏《飓(ju)风操》,不知可得几日(ri)学?请先录其曲,吟诵之(zhi)。十娘曰:此无(wu)文字,我以意谱之耳(er)。乃(nai)别取一琴(qin),作勾剔(ti)之势(shi),使阳效(xiao)之。阳习至更余,音节粗合,夫妻始别(bie)去(qu)。阳目(mu)注心凝(ning),对(dui)烛(zhu)自鼓;久之,顿然妙悟,不觉起舞。举首,忽见婢立(li)灯(deng)下(xia),惊(jing)曰:卿(qing)固(gu)犹未去耶?婢笑曰:十姑命待安寝,掩户移(yi)檠耳。审顾(gu)之(zhi),秋水澄(cheng)澄,意态媚绝。阳心动(dong),微挑之;婢俯首含笑。阳益(yi)惑之,遽(ju)起(qi)挽颈。婢曰(yue):勿尔!夜已四漏,主(zhu)人将起(qi),彼此有(you)心,来宵(xiao)未晚。方狎抱间,闻晏(yan)唤粉(fen)蝶。婢作色曰(yue):殆(dai)矣!急奔而(er)去。阳(yang)潜(qian)往听(ting)之。但闻晏(yan)曰(yue):我固(gu)谓婢子尘(chen)缘(yuan)未灭,汝必(bi)欲(yu)收(shou)录之(zhi)。今如何矣?宜(yi)鞭(bian)三百!十娘(niang)曰:此心(xin)一萌(meng),不可给使(shi),不如为吾侄遣之。阳甚惭惧,返斋(zhai)灭烛自(zi)寝。天明(ming),有(you)童子来侍盥沐,不(bu)复(fu)见(jian)粉蝶矣。心惴(zhui)惴恐见(jian)谴逐。俄,晏与十姑(gu)并出,似无(wu)所介(jie)于怀,便考所业(ye)。阳(yang)为(wei)一鼓(gu)。十娘曰:虽未入神,已得什九,肄熟可(ke)以臻妙。阳(yang)复(fu)求(qiu)别传(chuan)。晏教以《天(tian)女(nv)谪降》之曲,指(zhi)法拗折,习之三日(ri),始能成(cheng)曲(qu)。晏曰(yue):梗概(gai)已尽,此(ci)后但(dan)须熟耳(er)。娴此两曲,琴中(zhong)无梗调矣。
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